[8] His artistic style soon moved away from illusory media and embraced constructions in which materiality was central to the work. RKD-profiel. Kunst & Cultuur. Modern Art Notes Media, 16 May 2013. web. Dans les années 1940, Donald Judd commence à pratiquer en tant que peintre. This weekend I'm headed to Marfa, TX. He was careful to distinguish his design practice from his artwork, writing in 1993: The configuration and the scale of art cannot be transposed into furniture and architecture. Donald Judd Untitled 1984. Les Walls. The works that Judd had fabricated inhabited a space not then comfortably classifiable as either painting or sculpture and in fact he refused to call them sculpture, pointing out that they were not sculpted but made by small fabricators using industrial processes. Avec Robert Morris, il est l'un des principaux représentants du minimalisme en sculpture. In the early seventies Judd started making annual trips to Baja California with his family. Ron Robertson-Swann: Vault (1980), Melbourne. The Foundation promotes a wider understanding of Judd’s artistic legacy by providing access to these spaces and resources and by developing scholarly and educational programs. Green, Tyler, and Marianne Stockebrand, perf. Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Anne Truitt et Frank Stella figurent parmi les grands artistes associés au minimalisme. Nevertheless, he is generally considered the leading international exponent of "minimalism," and its most important theoretician through such seminal writings as "Specific Objects" (1964). Donald Judd n’a jamais vraiment apprécié l’étiquette « Minimalisme » parce que « inventée par des critiques, qui tentaient de résumer le travail d’un petit groupe d’artistes, et qui ne le … Nevertheless, he is generally considered the leading international exponent of "minimalism," and its most important theoretician through such seminal writin… The Whitney Museum of American Art, New York, organized the first retrospective of his work in 1968. The Cor-ten works are unique in that they are the only works the artist fabricated in Marfa, Texas. Nevertheless, he is generally considered the leading international exponent of "minimalism," and its most important theoretician through such seminal writings as "Specific Objects" (1964). Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism (a term he nonetheless stridently disavowed). Ulrich Rückriem: Granit gespalten (1985) Neue Nationalgalerie, Berlijn. [26] His concern with space, color, and material are also studied in his editioned work in three dimensions. The edition consisted of twelve sets of twelve works with each set in different colors. Donald Judd explique cela, dans un texte « Specific Objects » (1965) : « (…) la moitié, ou peut-être davantage, des meilleures œuvres réalisées ces dernières années ne relèvent ni de la peinture ni de la sculpture ». Donald Judd was a prominent and respected artist and critic throughout the 60s-80s. Le minimalisme est l'héritier du modernisme, et plus particulièrement du Bauhaus. The third in a series to highlight the interrelated aspects of Donald Judd’s work and … Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism (a term he nonetheless stridently disavowed). [35] Vinciarelli lived and worked with Judd in Marfa and New York for roughly a decade and collaborated with him on projects for Providence and Cleveland, and her influence can be seen on his architecture and furniture design. Cherchant pour certains à échapper à l’implacable étiquette du « minimalisme », formulée par la critique dans un souci de compréhension, ces artistes semblent de prime abord plus difficiles d’accès. invited a selection of artists from around the world to write about how Kazimir Malevich has inspired …, The leading British sculptor Richard Deacon (born 1949), who first gained international prominence in the early 1980s, is the subject …, Eva Hesse (1936–1970) was born into a Jewish family in Hamburg. Judd started using unpainted plywood in the early 1970s,[19] a material the artist embraced for its durable structural qualities, which enabled him to expand the size of his works while avoiding the problem of bending or buckling. He was affected by the clean, empty desert and this strong attachment to the land would remain with him for the rest of his life. Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism (a term he nonetheless stridently disavowed). [30] These pieces were then anodized one of 11 colors or left clear to form 12 pieces in the edition. Hij geldt naast Robert Morris en Sol LeWitt als een der hoofdvertegenwoordigers van het minimalisme . [9] Most of his output was in freestanding "specific objects" (the name of his seminal essay of 1965 published in Arts Yearbook 8, 1965), that used simple, often repeated forms to explore space and the use of space. [38], In 1984, Judd commissioned Lehni AG, the fabricator of his multi-colored works in Dübendorf, Switzerland to produce his furniture designs in sheet metal, in finishes of monochrome colored powdercoat based on the RAL colour standard, clear anodized aluminium, or solid copper.
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