King Kong 2 with Jessica Lange was a great movie. Un nouveau Godzilla vs King Kong est d’ailleurs en projet pour 2020. John Guillermin). To put that in perspective, Jaws, released 18 months earlier, had made $470 million on a $9 million budget. A version of Kong retold with top-of-the-line actors and cutting-edge special effects. There were compromises and forced deadlines. Les effets spéciaux de "King Kong" (version 1933 / 1976 / 2005) La boite à FX On le met en sélection ? Universal insisted that it had obtained a verbal agreement with RKO-General, and besides, the studio said, the publication of the King Kong story in a 1930s novelization meant that the material was now in the public domain. De Laurentiis always insisted that he’d come up with the idea of making King Konghimself, having noted the poster for the original film on his daughter’s bedroom wall. In what at the time seemed like an effort to save face, Universal nevertheless maintained that it would make its own King Kong movie at an unspecified future time: “Our agreement permits Mr. De Laurentiis to make the best possible film,” read Sid Sheinberg’s statement, “and permits Universal to select the best possible approaches to its King Kong venture. Sure enough, one of the many hydraulic pipes hidden inside Kong had ruptured, leaving fluid sluicing down the beast’s leg. It’s the pivotal moment where Kong escapes and goes on his ill-fated rampage, a tantrum which eventually concludes at the top of the World Trade Center. : The Extra-Terrestrial. I) L’évolution des effets spéciaux entre 1933 et 2005 : KING KONG. As a team of four operators worked the jacks which controlled the hand, the fingers closed around Woods and picked her up off the ground. Without him giving Kong lifelike emotions and movement, King Kong would merely find its place in film history as an example of how not to mix live action and CGI. En mer, on recueille Dwan, une jeune femme naufragée. Some suggested it was Rambaldi, who quixotically said he could build a Kong capable of actually walking around full-sized sets. Le Kong de 1930 est le vrai classique , ses effets spéciaux ont pris un sacré coup mais il conserve un certains charme du à son esprit d'aventure. An estimated $10 million was spent on marketing – another uncommonly high amount for the era. As night gave way to morning, the leg finally began to move, and Grodin got to record his action scene. Then ILM exaggerated the proportions of his muzzle, gave him a small crown and huge brow, and made his coloring a richer, orange-brown. Universal intends to produce and release a King Kong film under optimum production and distribution conditions, subsequent to the De Laurentiis film release.”. The meeting went well, an agreement was made, and that appeared to be that: Paramount had secured the rights to one of the most famous monsters in movie history. Synopsis : New York, 1933. The Struggles of King Kong ’76. Kong : Skull Island avait été plutôt bien accueilli par les critiques et les fans et on doit avouer que les effets spéciaux de ce long métrage étaient assez impressionnants. Marquante dans son utilisation des premiers effets spéciaux (transparences, maquettes) et dans son propos résolument moderne. “King Kong offered the one chance to do a really perfect gorilla suit,” Baker lamented. Monster Review: Netflix Film Examines Racism in the Justice System, Wrath of Man: Jason Statham Still Kicks Ass Even Without the Quips, Things Heard & Seen Review: Supernatural Silliness in Netflix Thriller, 10 remarkable things about King Kong Lives, The Weirdest King Kong Knockoffs in History, All Hail The King: The Top 5 King Kong Toys, Line of Duty: the Best Crime Thrillers to Watch Next, Jupiter's Legacy: Tenika Davis and the Power of The Flare II. Time would quickly prove De Laurentiis right; six months after King Kong‘s release, Star Warscame out, and suddenly, the producer’s giant ape movie looked like something from a bygone age. “In spite of John’s assurances, we got some pretty good photographed fear out of me,” Grodin wrote. C'est bien sympathique, ... Jackson avait réussi l'exploit de combiner effets spéciaux de pointe et émotion extrême... md2a Messages: 30 Inscription: 11 Oct 2007. The larger-than-life ape was actually animated models. In his autobigoraphy, Grodin wrote, “In the rush to begin production, two huge right hands were made by mistake, and the picture had to be delayed because neither worked…”. A once in a lifetime opportunity was lost.”. And you can’t ignore the 20-foot high head that had three men inside operating levers to change Kong’s facial expressions. At the behest of greedy company executive Fred Wilson (Charles Grodin), an expedition has been mounted to search a previously undiscovered island for possible oil reserves. C'est le second remake de " King Kong " à voir le jour après celui de 1976 . It won the Oscar for Best Visual Effects, but there are mixed feelings about the effects in the film, and with good reason. Directed by Peter Jackson, it too cost a fortune – an extraordinary $207 million – but this time, its effects designers avoided the temptation to build a six-ton mechanical Kong. To some, it might have sounded like a fool’s errand: take a much-loved classic, 1933’s King Kong, and remake it for a modern, more cynical age. When audiences first saw the tall, dark, and hairy monster inhabiting a tropical island in King Kong (Dirs. As well as the mechanical Kong, Rambaldi had to devise separate mechanical hands with working fingers, which could be used to scoop up Dwan in close-ups, and a man-sized ape suit for long shots. The 18- to 24-inch models that were covered in rabbit fur, built by Willis O’Brien’s assistant Marcel Delgado, made history as the first to have metal skeletons and joints, allowing smoother movements with rubber muscles that expanded and contracted. The film made more than $100,000 in its first week, making it the biggest movie opening ever at the time. De Laurentiis offered $200,000 plus three percent of the remake’s gross profits in return for the rights to Kong; a sum far higher than the reported $150,000 RKO-General were looking for. Kong is magnificent, and when he’s in action, fighting man, choppers, or beasts, the rendering of his movements appear flawless. In 1976, famed make-up effects artist Rick Baker donned a monkey suit to play the iconic monster in King Kong (Dir. The time paid off: Kong is absolutely stunning to behold, and undeniably the greatest execution to date. ... • 1976 : le plus tarte. 13 janv. Before King Kong, he’d worked on such Italian classics as Mario Bava’s Planet of the Vampires and Dario Argento’s Deep Red. Dans les années 1970, la société Petrox envoie Fred Wilson (Charles Grodin) à la recherche de la mystérieuse « 2021 - 1933 and 1976 movies. KING KONG remporte un Oscar pour ses effets spéciaux (bien que moyens, mais la véritable révolution des FX viendra seulement l'année suivante avec LA GUERRE DES ÉTOILES) et Jessica Lange remporte le Golden Globe de la meilleure jeune actrice… pas mal pour un premier film ! Il fallait donc toute la confiance en soi du réalisateur de “John came over and assured me the leg would miss my by plenty,” Grodin later wrote. Lawyers were scrambled, and Universal fired first. John Guillermin). Instead, far more weight was placed on Baker in his ape suit which, thanks to a system of interchangeable masks and complex mechanics, could bring at least a modicum of expressiveness to Kong. It’s the small details though, like when the palm of Kong’s hand is in close-up, with its wrinkles, rough fleshy patches, and creases that are exactly like a real ape, that make it so you have no choice but to salute the visual effects team. Intellectuals gonna love Kong. Pour surfer sur le succès du premier King Kong, une suite est mise en chantier la même année.L'équipe originale (Cooper à la production pour la RKO, Schoedsack à la réalisation et Willis O'Brien aux effets spéciaux) rempile et envoie des aventuriers dans l'île sauvage de l'Océan Indien à … Two hours went by as the technicians continued to work frantically on the leg, their exclamations of Italian profanity piercing the night air.”. Kong become a star, thanks to the creative genius of the film’s special effects team. All seemed to be going well until, approximately 10-feet off the ground, the hand suddenly snapped at the wrist, leaving Woods dangling precariously in mid-air. À plus d’un titre, le King Kong de Merian C. Cooper et Ernest B. Shoedsack (1933) est une œuvre majeure dans l’histoire du cinéma. King Kong a beau avoir reçu un Oscar des effets spéciaux, le film ressemble trop à une bouillis numérique indigeste. We look back at its legal battle and the struggle to build a 40-foot robot ape... “No one cry when Jaws die,” Italian super-producer Dino De Laurentiis famously told Time magazine in 1976.
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