We have identified these works in the following photos from our exhibition history. For access to motion picture film stills please contact the Film Study Center. Il s’agit d’une œuvre tridimensionnelle en plâtre qui a été exposée à Paris, au musée national d’Art moderne du Centre Georges Pompidou. The subject's head is rendered as a smooth ovoid with exaggerated, heavily stylised features: the eyes are large and almond-shaped ,the nose a smooth bridge between them. 1980.12.16. Tânăra i-a servit lui Brâncuși drept model în cele câteva luni cât i-a fost și iubită. Our site uses technology that is not supported by your browser, so it may not work correctly. If you would like to reproduce text from a MoMA publication, please email [email protected]. 19 cm. C’est à la fois un artisan de haut niveau et un artiste pur. Pogany (1912-1913), Plaster, 44 × 24.5 × 30.5 cm Seven years later, Brancusi created a second version of her portrait, both in marble and, as seen here, in bronze. Pogany series occupied Brancusi for some twenty years. But it is a portrait that abandons entirely any pretence to being representational. ... Mademoiselle Pogany, 1912–1913 ... dénommée Margit Pogany. Walt Kuhn, Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution. En 1912, Brancusi entreprend le portrait de Margit Pogany. Licensing By visiting our website or transacting with us, you agree to this. (63.8 × 31.1 × 37.1 cm.) Il meurt en 1957. Polished bronze. Pogany II. Watch the attached MoMa video about Brancusi’s Mademoiselle Pogany. And yet, for all of its minimalism, Mademoiselle Pogany remains full of life. Other (bronze): 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) Mademoiselle Pogany [I] Constantin Brancusi, French (born Romania), 1876 - 1957. The head rests on two hands, which are likewise so stylised that they serve merely as the impression of hands; truncated at the wrists, they resemble two tusks of ivory. Shortly after her return to Hungary, Brancusi carved a marble Mlle Pogany from memory, then made a plaster mold from which he cast four additional versions, including this bronze. Mlle Pogany is a portrait of Margit Pogany, a Hungarian artist who sat for Brancusi several times in 1910 and 1911. Ma dem oiselle Pogany, Constantin Brancusi, 1912-1913 (Phi lad e lphie, Museum of Art). Portrait de Mademoiselle Pogany Constantin Brancusi (1876-1957) est souvent vu comme le plus grand créateur de sculpture du XX°. weight): 40 lb. Constantin Brancusi : la pureté dans l’abstraction. If you have additional information or spotted an error, please send feedback to [email protected]. From Art Resource, Constantin Brâncuși, Mlle. © www.ConstantinBrancusi.org 2020. The Mlle. Il a fait la connaissance de cette jeune peintre, fille d'un célèbre avocat hongrois d'origine roumaine, à Montparnasse en 1910. Mlle Pogany III est la dernière version d’une série de trois marbres, suivis de leurs tirages en bronze, développée par Brancusi sur une période de vingt ans, où il s’éloigne de plus en plus de la figure initiale inspirée par le court passage du modèle. But it is a portrait that abandons entirely any pretence to being representational. Mademoiselle Pogany - Constantin Brancusi. This sculpture is a portrait of Margit Pogany, a Hungarian artist who sat for Brancusi several times in 1910 and 1911 while she was in Paris studying painting. base: 28.58 × 24.13 × 24.13 cm (11 1/4 × 9 1/2 × 9 1/2 in.) Exécuté vers 1925 montage: 38.1 x 31.7 cm. L'emploi d'un marbre blanc légèrement veiné d'ocre ajoute à cette sensation de dépouille­ ment. Mademoiselle Pogany is another of Brâncuși's better-known pieces. By visiting our website or transacting with us, you agree to this. Object Description. La Muse endormie , … So striking is the sculpture that its appeal remains even in two-dimensional reproductions. Mademoiselle Pogany is another of Brâncuși's better-known pieces. In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. He served as a model for a few months. Other (approx. Tags: Constantin Brancusi, Fine … If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Shortly after her return to Hungary, Brancusi carved a marble Mlle Pogany from memory, then made a plaster mold from which he cast four additional versions, including this bronze. Katharine Ordway Collection. Large almond-shaped eyes overwhelm the oval face, and a black patina represents the hair that That project has concluded, and works are now being identified by MoMA staff. Mademoiselle Pogany [III] Constantin Brancusi, French (born Romania), 1876 - 1957 Sculpted in marvel with a limestone block, the work is - ostensibly - a portrait. At issue is an 18-inch bust that depicts a blank-eyed woman with slender hands cushioning her face in delicate repose. Visitors will comment on it, while members of the family will draw inspiration from it day after day. Constantin Brancusi's sculpture Mademoiselle Pogany II was modeled from memory after Marit Pogany, an aspiring Hungarian painter who sat for Brancusi in Paris in 1910 and 1911. In 1910, Brancusi met this sculpture’s subject, the landscape painter Margit Pogány (Hungarian, 1879–1964), in Paris. Brancusi strove to depict the idea or essence of things and not their literal form, and this is fully demonstrated in Mademoiselle Pogeny II. Artist: Constantin Brancusi, Romanian, 1876–1957. He carved the first version of this sculpture in marble from memory in 1912, and made casts in bronze and plaster from the original. Né en Roumanie, il se forme à l’académie d’art de Bucarest et à l’Ecole des beaux-arts de Paris, où il est l’élève de Rodin. Domnișoara Pogany, cunoscută și sub numele francez Mademoiselle Pogány, este o statuie creată de Constantin Brâncuși în 1913, clasată în categoria „Tezaur” a Patrimoniului cultural național. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Mlle. Small wonder that even within the context of Constantin Brâncuși's inventive and ground-breaking career as a sculptor, Mademoiselle Pogany remains one of his best-known works. Citation: Armory Show postcard with reproduction of Constantin Brancusi's sculpture Portrait of Mlle Pogany, 1913. If you place a print of Mademoiselle Pogany by Constantin Brancusi on display in your household, you can count on it bringing a touch of mystery to your home. In 2017 alone, a bronze-cast Brancusi rendering of a woman’s disembodied head was sold at auction for $57,367,500. Constantin Brancusi Romanian, 1876 ‑ 1957 Mademoiselle Pogany I, 1913 Polished bronze with black patina 25 1/8 × 12 1/4 × 14 5/8 in. Ils se lient aussitôt, se rencontrent souvent. The sculpture was created in 1920 and is based on the landscape painter Margit Pogany who had requested the portrait after visiting Brancusi's studio. Mlle Pogany is a portrait of Margit Pogany, a Hungarian artist who sat for Brancusi several times in 1910 and 1911. C’est à la fois un artisan de haut niveau et un artiste pur. Throughout his career, which lasted until his death in 1957, Constantin Brâncuși created an entire array of boldly experimental sculptures. Bequest of Mrs. Mabel Hussey Degen 1954.16. György Lázár. Elle expose au salon d'automne. While her expression is unreadable, this is not the same as blankness: it merely invites the audience to project their own emotions onto the sculpture. Shortly after her return to Hungary, Brancusi carved a marble Mlle Pogany from memory, then made a plaster mold of the work, from which he cast four additional versions, including this one, in bronze. Nobody who has seen the extreme stylistation and minimalism of his 1907 sculpture The Kiss could forget its striking effect on the viewer - and that is just one of his better-known works. Brancusi’s obsession became the stuff of art world legend, and his surreal, egg-shaped Mademoiselle Pogany busts became one of the most celebrated and familiar works of 20th Century sculpture. Composée de l'oeuvre "Mlle Pogany I" posée sur son socle cylindrique (1). Dimensions 45,5 x 23,4 x 23,4 cm (1) : H. 17,5 x diam. Acquisition Legs de Constantin Brancusi, 1957. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). For licensing motion picture film footage it is advised to apply directly to the copyright holders. El único motivo para trasladar la escultura a un material menos noble fue su intención de pulirla, iniciando así sus experimentos de integración de la forma en el espacio mediante reflejos. Beautiful Muse Margit Pogany, a Hungarian art student, sat for Brancusi in his Parisian studio from December 1910 to January 1911. Secteur de collection Arts Plastiques Réalisé en 1912, le marbre du Philadelphia Museum of Art (44,50 x 15,4 cm) a été fondu en bronze en 1913 puis vendu par le modèle en 1940 au Metropolitan Museum of Art de New York. Né en Roumanie, il se forme à l’académie d’art de Bucarest et à l’Ecole des beaux-arts de Paris, où il … There is a good reason why this sculpture has stood the test of time for more than a hundred years: if you purchase a print of Mademoiselle Pogany, you will be able to capture some of its eternal mystery and invention for yourself. In representing its subject through highly stylized and simplified forms, the work was a significant departure from conventional portraiture. Please update your browser for the best experience. Sculpted in marvel with a limestone block, the work is - ostensibly - a portrait. The name of the statue comes from the Hungarian painter Margit Pogány, whom he had met in 1911. In Constantin Brancusi: Maturity …Boston, showing five works including Mademoiselle Pogany, a schematized bust that would have numerous variations. About Constantin Brancusi: (Source: Oxford University Press) Constantin Brancusi was a french sculptor, draughtsman, painter and photographer of Romanian birth. As with other motifs, this was a subject Brancusi would return to and rework in the years to come. Constantin Brancusi (1876-1957) Mademoiselle Pogany II signé au crayon (verso); étiquette de galerie portant le titre et la date (dos du cadre) tirage argentique, partiellement monté sur support cartonné image/feuille: 19.6 x 13.9 cm. L’œuvre présentée sur la photographie est une sculpture abstraite de Constantin BRANCUSI, intitulée Mademoiselle Pogany I et réalisée en 1912-1913. covers the top of the head and extends over the elaborate chignon at the nape of the neck. Portrait de Mademoiselle Pogany Constantin Brancusi (1876-1957) est souvent vu comme le plus grand créateur de sculpture du XX°. Technique Plâtre. Looking at the image, we start to wonder who the real Mademoiselle Pogany was, and what character traits Constantin Brâncuși was attempting to capture in his sculpture of her. We use our own and third-party cookies to personalize your experience and the promotions you see. Brancusi est natu­ ralisé fran çais en 1950. L'ensemble est posé sur le socle AM 4002-181. All Rights Reserved. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. 43.5 × 18 × 28.5 cm (17 1/8 × 7 1/16 × 11 1/4 in.) If you notice an error, please contact us at [email protected]. More information is also available about the film collection and the Circulating Film and Video Library. La primera versión de “Mademoiselle Pogany” es esta talla de mármol, de la que Brancusi extrajo un vaciado para fundirla en bronce. Les formes gracieusement restreintes de Constantin Brancusi sont reconnues comme l'un des principaux développements sculpturales du début du XXe siècle. Numele statuii provine de la pictorița maghiară Margit Pogány, pe care o cunoscuse în 1911. Né en Roumanie, il se forme à l’académie d’art de Bucarest et à l’Ecole des beaux-arts de Paris, où il est l’élève de Rodin. The mannerist forms of Mademoiselle Pogany II are at once a statement of the inherent beauty of Brancusi’s medium and a representation of female beauty. Please, Bronze with black patina 17 1/4 x 8 1/2 x 12 1/2" (43.8 x 21.5 x 31.7 cm), on limestone base 5 3/4 x 6 1/8 x 7 3/8" (14.6 x 15.6 x 18.7 cm), 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) In representing its subject through highly stylized and simplified forms, the work departed significantly from conventional portraiture. This record is a work in progress. Brancusi’s groundbreaking series of portrait sculptures called Mademoiselle Pogany became an art sensation and today the sculptures are art history. Portrait de Mademoiselle Pogany Constantin Brancusi (1876-1957) est souvent vu comme le plus grand créateur de sculpture du XX°. A featureless block descends from the head, to suggest the rough outline of a neck. C’est à la fois un artisan de haut niveau et un artiste pur. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. 1919, cast 1925. Our site uses technology that is not supported by your browser, so it may not work correctly. 5 3/4 × 6 1/8 × 7 3/8" (14.6 × 15.6 × 18.7 cm) Les nombreuses variantes sur le thème de la tête (Une Muse, Mademoiselle Pogany, Danaïde…) montrent la place que Brancusi accordait à ce thème dans son œuvre. Mademoiselle Pogany [Brancusi] , portrait commandé par Margit Pogany et exécuté en plusieurs versions par Brancusi. (You can still spend hundreds of dollars on eBay just for plaster knockoffs of the masterpiece.) Miss Pogany, known in Frenc as Mademoiselle Pogany, is a sculpture created by Constantin Brancusi in 1913. Status: the mouth and ears reduced to mere vestiges, the hair left off entirely. The result is alluring, enigmatic, and captivating. Constantin Brancusi Mademoiselle Pogany [I] Pardon our dust while we update this corner of the website. Prix et détails de la vente aux enchères de mademoiselle pogany, Sculpture-Volume de l'artiste Constantin BRANCUSI Pour accéder à toutes les fonctionnalités de ce site, vous devez activer JavaScript. He carved a second version in marble in 1919 (location unknown), and a third version in marble in 1931 (Philadelphia Museum of Art). Already known in the United States, Brancusi found faithful collectors there over subsequent decades. Nous possédons une photo d’elle, qui permet de réaliser à quel point le sculpteur a su capter ce qui faisait les caractéristiques du visage de son modèle. A larger image is unavailable for this object due to copyright, trademark or related rights. Large almond-shaped eyes overwhelm the oval face, and a black patina represents the hair that covers the top of the head and extends over the elaborate chignon at the nape of the neck. Constantin Brâncuși (Romanian: [konstanˈtin brɨŋˈkuʃʲ] (); February 19, 1876 – March 16, 1957) was a Romanian sculptor, painter and photographer who made his career in … The second we glance at it, the sculpture's abstract impressions combine to form the vivid image of a woman resting her head on her hands. (18.1 kg), Acquired through the Lillie P. Bliss Bequest (by exchange), © Succession Brancusi - All rights reserved (ARS) 2018. "I posed for … Meanwhile, critics around the world attacked the radical nature of his work.
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