[76] The most dramatic altercation occurred in Christchurch, New Zealand, when her shoes were not found and Leigh refused to go onstage without them. Not for anyone's ear but your own: it's narrowed down to Paulette Goddard, Jean Arthur, Joan Bennett and Vivien Leigh". La même année elle tourne avec son mari Tony Curtis dans Houdini le grand magicien de George Marshall, et interprète le rôle principal féminin d'une nouvelle comédie musicale, Walking My Baby Back Home. Great beauties are infrequently great actresses—simply because they don't need to be. Elle collabore une dernière fois avec Tony Curtis pour la comédie Qui était donc cette dame ? Depuis, elle ne peut plus prendre de douche[4]. In 1959, when she achieved a success with the Noël Coward comedy Look After Lulu!, a critic working for The Times described her as "beautiful, delectably cool and matter of fact, she is mistress of every situation". Janet Leigh, nome artístico de Jeanette Helen Morrison (Merced, 6 de julho de 1927 — Beverly Hills, 3 de outubro de 2004) foi uma atriz norte-americana.Ela é mais lembrada por seu desempenho em Psicose (1960) para o qual ela foi premiada com o Globo de Ouro de Melhor Atriz Coadjuvante e recebeu uma indicação ao Óscar. [64], The Oliviers filmed That Hamilton Woman (1941) with Olivier as Horatio Nelson and Leigh as Emma Hamilton. Elle apparaît pour la première fois au cinéma en 1976 sous la direction de son beau-père, le réalisateur Reza Badiyi, dans Tod eines Fremden, puis elle fait plusieurs apparitions dans des séries télévisées ou téléfilms comme Baretta ou The Young Runaways, épisode de la série Le Monde merveilleux de Disney. [7], In 1917, Ernest Hartley was transferred to Bangalore as an officer in the Indian Cavalry, while Gertrude and Vivian stayed in Ootacamund. "[100] In 1955, Leigh starred in Anatole Litvak's film The Deep Blue Sea; co-star Kenneth More felt he had poor chemistry with Leigh during the filming. He refused to allow her to join Olivier in Pride and Prejudice (1940), and Greer Garson played the role Leigh had wanted for herself. 1960 est l'année de la consécration. "[30], Director George Cukor described Leigh as a "consummate actress, hampered by beauty",[125] and Laurence Olivier said that critics should "give her credit for being an actress and not go on forever letting their judgments be distorted by her great beauty. Esmond was granted custody of Tarquin, her son with Olivier. New York Film Critics Circle Award for Best Actress, British Academy of Film and Television Arts, National Board of Review of Motion Pictures Awards, Online Film & Television Association Awards, Academy of Motion Picture Arts and Sciences. Leigh's performance in A Streetcar Named Desire won glowing reviews, as well as a second Academy Award for Best Actress,[88] a British Academy of Film and Television Arts (BAFTA) Award for Best British Actress, and a New York Film Critics Circle Award for Best Actress. Leigh and Olivier starred together in many stage productions, with Olivier often directing, and in three films. [139] In 2013, an archive of Leigh's letters, diaries, photographs, annotated film and theatre scripts and her numerous awards was acquired by the Victoria and Albert Museum in London. Dans les années 1970, elle ne tournera que trois films : La Femme sans mari et Les Rongeurs de l'apocalypse (1972) ainsi que Boardwalk (1979). Wait and see."[34]. [54] Leigh had made a screen test and hoped to co-star with Olivier in Rebecca, which was to be directed by Alfred Hitchcock with Olivier in the leading role. L'actrice tourne alors avec les plus grands acteurs hollywoodiens sous la direction de fameux réalisateurs. He came to believe that Leigh's interpretation, in which Lady Macbeth uses her sexual allure to keep Macbeth enthralled, "made more sense ... than the usual battle-axe" portrayal of the character. At the time, the public strongly identified Leigh with her second husband, Laurence Olivier, who was her spouse from 1940 to 1960. [Note 5] Later recounting her work, Kramer remembered her courage in taking on the difficult role, "She was ill, and the courage to go ahead, the courage to make the film—was almost unbelievable. [105] In his autobiography, Olivier discussed the years of strain they had experienced because of Leigh's illness: "Throughout her possession by that uncannily evil monster, manic depression, with its deadly ever-tightening spirals, she retained her own individual canniness—an ability to disguise her true mental condition from almost all except me, for whom she could hardly be expected to take the trouble. 1 1 1. Cette actrice exceptionnelle a … ", "Peter Brook's Titus Andronicus, August 1955 (quoting Kenneth Tynan). Vivien was different; ambitious, persevering, serious, often inspired. [70] Leigh temporarily fell into a deep depression that hit its low point, with her falling to the floor, sobbing in an hysterical fit. Vivien Leigh (/liː/; 5 November 1913 – 8 July 1967; born Vivian Mary Hartley and styled as Lady Olivier after 1947) was a British actress. After completing her drama school education, Leigh appeared in small roles in four films in 1935 and progressed to the role of heroine in Fire Over England (1937). [124], Leigh was considered to be one of the most beautiful actresses of her day, and her directors emphasised this in most of her films. Elle compte parmi les bijoux de la Metro-Goldwyn-Mayer, dès le début des années 1940. Known as The Laurence Olivier Archive, the collection includes many of Leigh's personal papers, including numerous letters she wrote to Olivier. À l'aise dans tous les registres, elle passe à la comédie avec C'est pas une vie, Jerry (avec Jerry Lewis et Dean Martin) avant de retrouver Tony Curtis pour le film d'aventure, Le Chevalier du roi. Awards, festivals, honors and other miscellaneous organizations are listed in alphabetical order. [106] Her first husband Leigh Holman also spent considerable time with her. [Note 8] In a survey of theatre critics conducted shortly after Leigh's death, several named her performance as Lady Macbeth as one of her greatest achievements in theatre. Impressionnée par sa beauté naturelle, la comédienne, de retour à Hollywood, soumet son nom à la Metro-Goldwyn-Mayer pour le film L'Heure du pardon[2]. Elle descend au Sugar Bowl Ski Lodge où le père de Janet travaille[2]. She won the Academy Award for Best Actress twice, for her definitive performances as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in the film version of A Streetcar Named Desire (1951), a role she had also played on stage in London's West End in 1949. [143], 1940–1949: Marriage and early joint projects with Olivier. She believed that comedy was more difficult to play than drama because it required more precise timing and said that more emphasis should be placed upon comedy as part of an actor's training. Choisissez parmi des contenus premium Vivien Leigh de la plus haute qualité. ", "Vivien Leigh Centenary: Great Britons Stamps", New "My Week With Marilyn". [27] In the playbill, Carroll had revised the spelling of her first name to "Vivien". [132] Discussing the subsequent film version, Pauline Kael wrote that Leigh and Marlon Brando gave "two of the greatest performances ever put on film" and that Leigh's was "one of those rare performances that can truly be said to evoke both fear and pity. All British films in this period were adversely affected by a Hollywood boycott of British films. [116][Note 7], Her death was publicly announced on 8 July, and the lights of every theatre in central London were extinguished for an hour. Janet Leigh (1927–2004), née Jeanette Helen Morrison, ... Vivien Leigh (1913-1967), actrice britannique ; Walter Leigh (1905-1942), compositeur britannique ; Zoey Leigh Peterson, écrivaine américano-canadienne. After viewing Leigh's screen test, David Selznick noted that "she doesn't seem right as to sincerity or age or innocence", a view shared by Hitchcock and Leigh's mentor, George Cukor. An exhausted and exasperated Olivier screamed an obscenity at her and slapped her face, and a devastated Leigh slapped him in return, dismayed that he would hit her publicly. L'année suivante, après avoir incarné l'une des Quatre Filles du docteur March avec June Allyson, tourné dans un film d'espionnage de George Sidney et figuré dans La Dynastie des Forsyte d'après John Galsworthy, elle obtient le rôle principal de Mariage compliqué, film de Don Hartman où elle joue une mère de famille aux côtés de Robert Mitchum. With the United States not yet having entered the war, it was one of several Hollywood films made with the aim of arousing a pro-British sentiment among American audiences. Myron Selznick also represented Olivier and when he met Leigh, he felt that she possessed the qualities that his brother was searching for. [57] Her top billing reflected her status in Hollywood, and the film was popular with audiences and critics. [32] During this period, Leigh read the Margaret Mitchell novel Gone with the Wind and instructed her American agent to recommend her to David O. Selznick, who was planning a film version. Cukor was dismissed and replaced by Victor Fleming, with whom Leigh frequently quarrelled. She also won a Tony Award for her work in the Broadway musical version of Tovarich (1963). [107] Though she was still beset by bouts of depression, she continued to work in the theatre and, in 1963, won a Tony Award for Best Actress in a Musical for her role in Tovarich. https://www.decades.com/lists/8-wild-facts-about-psycho-star- L'année suivante, où elle ne participe qu'à un seul film Safari (avec Victor Mature), naît sa première fille, Kelly. Being a film star—just a film star—is such a false life, lived for fake values and for publicity. It was the first time Olivier witnessed such behaviour from her. Elle ne tournera que le film fantastique Fog (1980) au cours de la décennie des années 1980. Ils divorceront en 1948. Leigh was born Vivian Mary Hartley[2] on 5 November 1913 in British India on the campus of St. Paul's School in Darjeeling, Bengal Presidency. After rejecting his many suggestions, she took "Vivian Leigh" as her professional name. ", "Salacious secrets lay behind the glamorous life of Gone With the Wind star Vivien Leigh. "[44] The following day, Leigh read a scene for Selznick, who organized a screen test with director George Cukor and wrote to his wife, "She's the Scarlett dark horse and looks damn good. [115] Merivale first contacted her family and later was able to reach Olivier, who was receiving treatment for prostate cancer in a nearby hospital. Elle participera à 7 séries télévisées après le film, telles que Arabesque ou La Quatrième Dimension. [120] According to the provisions of her will, Leigh was cremated at the Golders Green Crematorium and her ashes were scattered on the lake at her summer home, Tickerage Mill, near Blackboys, East Sussex, England. [78], The success of the tour encouraged the Oliviers to make their first West End appearance together, performing the same works with one addition, Antigone, included at Leigh's insistence because she wished to play a role in a tragedy. Offered the role of Heathcliff in Samuel Goldwyn's production of Wuthering Heights (1939), he travelled to Hollywood, leaving Leigh in London. Alfred Hitchcock, « le maître du suspense », la contacte et l'engage pour qu'elle interprète, dans Psychose, le rôle de Marion Crane, jeune femme au destin tragique qui meurt poignardée alors qu'elle prend une douche. [121] A memorial service was held at St Martin-in-the-Fields, with a final tribute read by John Gielgud. Producer and director Stanley Kramer, who ended up with the film, planned to star Leigh but was initially unaware of her fragile mental and physical state. In 1985, a portrait of her was included in a series of United Kingdom postage stamps, along with Sir Alfred Hitchcock, Sir Charlie Chaplin, Peter Sellers and David Niven to commemorate "British Film Year". Elle interprète le rôle de Blanche Dubois dans «Un tramway nommé Désir» d’après Tennessee Williams, face au fougueux Marlon Brando. [36] They began living together, as their respective spouses had each refused to grant either of them a divorce. About 30 minutes later (by now 8 July), he entered the bedroom and discovered her body on the floor. In 1969, critic Andrew Sarris commented that the success of the film had been largely due to "the inspired casting" of Leigh,[129] and in 1998, wrote that "she lives in our minds and memories as a dynamic force rather than as a static presence". Vivian Mary Hartley, dite Vivien Leigh, née le 5 novembre 1913 à Darjeeling (Inde) et morte le 8 juillet 1967 à Londres, est une actrice britannique. [9] Gertrude Hartley tried to instill an appreciation of literature in her daughter and introduced her to the works of Hans Christian Andersen, Lewis Carroll and Rudyard Kipling, as well as stories of Greek mythology and Indian folklore. https://www.allocine.fr/personne/fichepersonne_gen_cpersonne=149.html • 1947 : L'Heure du pardon (The Romance of Rosy Ridge) de Roy Rowland : Lissy Anne MacBean de Victor Saville : Effie Bright Subsequently, she made her way to the stage in borrowed pumps, and in seconds, had "dried her tears and smiled brightly onstage". Le film est un véritable triomphe. En novembre 1990, elle présente Psychose 4 avant sa projection à la télévision. Elle retournera à plusieurs reprises sur les plateaux de tournage de Psychose 2 (1983) et de Psychose 3 (1986) accompagnée d'Anthony Perkins. La vie de Vivien Leigh (1913-1967) Vie : La célébrité . [18][Note 1], Leigh's friends suggested she take a small role as a schoolgirl in the film Things Are Looking Up, which was her film debut, albeit uncredited as an extra. The New York press publicised the adulterous nature of the beginning of Olivier and Leigh's relationship and questioned their ethics in not returning to the UK to help with the war effort. [11] One of her friends there was future actress Maureen O'Sullivan, two years her senior, to whom Vivian expressed her desire to become "a great actress". John Gielgud directed Twelfth Night and wrote, "... perhaps I will still make a good thing of that divine play, especially if he will let me pull her little ladyship (who is brainier than he but not a born actress) out of her timidity and safeness. Brooks Atkinson for The New York Times wrote: "Although Miss Leigh and Mr. Olivier are handsome young people, they hardly act their parts at all. She was the only child of Ernest Richard Hartley, a British broker, and his wife, Gertrude Mary Frances (née Yackjee; she also used her mother's maiden name of Robinson). [81], When the West End production of Streetcar opened in October 1949, J. "[126] Garson Kanin shared their viewpoint and described Leigh as "a stunner whose ravishing beauty often tended to obscure her staggering achievements as an actress. Janet Leigh [ˈd͡ʒænɪt liː][1], née Jeanette Helen Morrison le 6 juillet 1927 à Merced (Californie) et morte le 3 octobre 2004 à Beverly Hills, est une actrice américaine. Durante a rodaxe, o nome de Leigh foi cambiado primeiro a "Jeanette Reames" e logo a "Janet Leigh" e finalmente ao seu nome real, "Jeanette Morrison", porque "Janet Leigh" lembraba demasiado a Vivien Leigh. Vivien Leigh was a British actress who achieved film immortality by playing two of American literature's most celebrated Southern belles, Scarlett O'Hara and Blanche DuBois. [99] They played to capacity houses and attracted generally good reviews, Leigh's health seemingly stable. It is now held as part of the record of the history of the performing arts in Australia. Leigh appeared with Robert Taylor, Lionel Barrymore and Maureen O'Sullivan in A Yank at Oxford (1938), which was the first of her films to receive attention in the United States. Pics Include Julia Ormond as Vivien Leigh, "Hollywood review: This lavish period fantasy is a disaster", Australian National Library, photographs from Australian tour, BAFTA Award for Best Actress in a Leading Role, Tony Award for Best Performance by a Leading Actress in a Musical, https://en.wikipedia.org/w/index.php?title=Vivien_Leigh&oldid=1020677508, Alumni of the Royal Academy of Dramatic Art, Short description is different from Wikidata, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 April 2021, at 12:48. One such article was from the Daily Express, in which the interviewer noted "a lightning change came over her face", which was the first public mention of the rapid changes in mood which had become characteristic of her.
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