58) September-October 2008, p. 8, illustrated in color (installation view, Château de Versailles, Versailles, 2008, Light Blue). 2016/11/25 현대자동차 홈페이지바로가기 Discover (and save!) "En Grande Pompe." Meanwhile, the celestial moon invites inherent associations with time and cyclicality, as the full moon arrives only once a month in its temporal lunar orbit with the earth around the sun. Sculpture. Gregos, Katerina. Jeff Koons. Moon (Yellow) capitalizes on the instinctive allure of one’s own reflection, and yet arrests a glimpse into a different version of ourselves—one in which joy and affection reign supreme, and all earthly logic is deferred for a moment of pure primal exhilaration. From conception to production Koons draws heavily from his own emotional experiences as a child, as an artist, and as a purveyor of popular culture. Just as Leonardo da Vinci relentlessly investigated the human anatomy and Alberti discovered three-dimensional perspective on the picture plane, Koons operates in the tradition of an artist whose practice is founded firmly in pushing the rational principles of math and science to inconceivable ends in order to attain mimesis. Serpentine Gallery, London, England [November 25, 2006 - January 28, 2007] (Yellow), The François Pinault Collection: A Post-Pop Selection. When you leave the room, it’s gone. 키치 예술의 제왕, 네오 팝 아티스트 제프 쿤스의 예술 세계를 소개합니다. Jeff Koons is widely regarded as one of the most important, influential, popular, and controversial artists of the postwar era. DuPonchelle, Valerie. 50/51) December 1997, pp. Art + Auction November 2008, p. 187, illustrated in color (Yellow). It is easy to get lost in the utterly seductive stronghold of Jeff Koons’ voluminous Moon (Yellow), and emerge from its glimmering grip with a renewed belief in magic. 164-165 (in progress), 286 illustrated in color (Silver). Jeff Koons | Jeff Koons was born in York, Pennsylvania in 1955. Summary of Jeff Koons. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. And archetypes are bigger than any one individual." Milano: Skira, 2006, pp. By using this site, you agree to the use of cookies by Flickr and our partners as described in our cookie policy. Exh. His father's elaborate furniture displays and window tableaux showcased precise arrangements of decorative goods that promised social mobility to the residents of York. As a boy growing up in the town of York, Pennsylvania, Koons’s interest in the sociology of aesthetics germinated amongst the aspirational wares sold by his father at his namesake Henry J. Koons Decorators. The technologies that Koons employs to fabricate his sculptures often exceed the standards of the industries whose tools he borrows, including those of aerospace and military engineering. Gagosian Gallery (private viewing space), New York, New York [May 10 - July 5, 2013] (Violet), Jeff Koons. Nov 24, 2014 - Jeff Koons, 'Moon (Light Pink),' 1995-2000, Whitney Museum of American Art Koons’ formative interest in the inflatable took on new life with the artist’s canonical 1985 Equilibrium series, where basketballs were uncannily suspended in water-filled tanks and exhibited alongside convincingly lifelike castings of flotation devices—snorkels, a lifeboat, an Aqualung—in bronze. This focus was first fully broached in 1986 with Banality, a body of work which includes Buster Keaton straddling a miniature pony as well as the Pink Panther and Michael Jackson and Bubbles porcelain statues. New York: New Museum, 2010, p. 17, illustrated in color (Silver). Château de Versailles, Versailles, France [October 9, 2008 - April 1, 2009] (Light Blue), Jeff Koons. Jusqu’au 18 octobre 2021 regards sur la relation entre les œuvres de la Collection Pinault et les objets et documents du Mucem. Información, novedades y última hora sobre Jeff Koons. For Koons, the concept of the inflatable is a metaphor for the human body and a symbol of life, while the permanent tumescence of his steel sculptures conveys an eternal optimism. Jeff Koons, né le 21 janvier 1955 à York (Pennsylvanie, États-Unis), est un plasticien américain, sculpteur de style kitsch néo-pop. by: Eli Valentine The life of Jeff Koons *born in York, Pennsylvania 1955 * Jeff went to the same college at two different times. The sculpture harnesses the interplay between the general and the particular that is so characteristic to Koons—the symbol of the moon is universal, as it can be seen from every place on earth. The full moon—like a holiday—is a symbolic marker of the calendar month. Guaranteed Property Guaranteed Property. The chameleonic surface of painting and sculpture proffers a certain mischievous promise of veracity, a reflection of the world that returns us to our childlike suspension of disbelief. High chromium stainless steel. Point de Vue 17 September 2008, p. 62, illustrated in color (installation view, Château de Versailles, Versailles, 2008, Light Blue). This site uses cookies to improve your experience and to help show content that is more relevant to your interests. The Centre Pompidou, Paris, France [November 26, 2014 - April 27, 2015] (Light Blue) Jeff Koons: A Retrospective. Fusing the pioneering modernism of Constantin Brancusi with the avant-garde conceptual latitude of Marcel Duchamp and the irresistible Pop of Andy Warhol, the present work seems to hover in space, swelling out and pushing the absolute limits of its balloon-like form. Jeffrey "Jeff" Koons (born January 21, 1955) is an American artist known for his reproductions of banal objects—such as balloon animals produced in stainless steel with mirror finish surfaces. 35-36) Stirring curiosity, sentimentalism, and unease in the immortalization of these relics from our collective memory, Koons draws on formal and symbolic models to render permanent such evanescent moments of joy. Exh. Gassot, Sylvie. Athens, 2009, illustrated in color (Silver). your own Pins on Pinterest Jeff Koons: Pictures 1980-2002. sale registration is closed because the sale is starting within 24 hours. Frimbois, Jean-Pierre. Parkett (no. L’exposition de Jeff Koons devrait ouvrir ses portes au public le 19 mai prochain. Fondation Beyeler, Basel, Switzerland [May 13, 2012 - October 2, 2012] (Light Pink), Alpha Omega: Works from the Dakis Joannou Collection. Frame January-March 2002, p. 80, illustrated in color (Silver). While the specificity of works like Cracked Egg refers to Easter and Hanging Heart alludes to Valentine’s Day, Moon (Yellow) is a totemic universal icon that represents celebration as a whole, as the potentiality of its ambiguous surface invites association with any occasion appropriate for the mylar balloon that it replicates. Moon (Yellow) eradicates any guilt we may momentarily feel in escaping adulthood for a short reverie to revisit the totems of our youth. Paris Capitale (no. While he drinks he beholds himself reflected in the mirrored pool—and loves; loves an imagined body, for he deems the mirrored shade a thing of life to love.” – Ovid. When Duchamp upended a urinal and presented it as Fountain in 1917, the very basic object took on an uncanny and unrecognizable form. The appliances, suspended vertically and lit from below, were part of a work entitled The New (A Window Installation) … Jeff Koons is widely regarded as one of the world’s most iconic, influential, and controversial artists of the postwar era. When you take a deep breath, it’s a symbol of life and of optimism, and when you take your last breath, that last exhale is a symbol of death. He creates on the conceptual level of man not yet shackled by logic, reason, or experience. "Expositions Ile-de-France." Cit., p. 24) Moon (Yellow) captures and magnifies a joyous, childlike sense of amazement. "Einfach Ubertrieben." Jeff Koons: celebration Jeff Koons, ‎Anette Hüsch, ‎Neue Nationalgalerie (Germany) – 2008 – ‎Extraits – ‎Autres éditions "They're archetypes. Jeff Koons is one of America’s most popular contemporary artists. Jeff Koons souligne lui-même qu’il est « très conscient du spectateur car c’est là où se situe l’art. Moon (Yellow) does not just engage with us by literally reflecting our mirror images, but in reflecting the public’s collective interests through our most recognizable and most beloved cultural symbols. Jeff Koons’s Puppy was first unveiled in 1992, as a mammoth 40-foot-tall flower-covered topiary. RMN-Grand Palais /  Art Resource, NY © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris, Vincent Van Gogh, The Starry Night, 1889 The Museum of Modern Art, New York Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY, Diego Velázquez, Las Meninas, 1656 Museo del Prado, Madrid Gianni Dagli Orti / The Art Archive at Art Resource, NY, Jan van Eyck, The Arnolfini Portrait, 1434 National Gallery, London © National Gallery, London / Art Resource, NY, Caravaggio, Narcissus, 1597-99 Galleria Nazionale d’Arte Antica, Rome, Italy Erich Lessing / Art Resource, NY. For a sculpture that exudes such spectacular visual opulence, Moon (Yellow) is at its very core an exercise in the economy of form—it is not excessive, instead it is deliberate and powerful in its striking simplicity. He studied at the Maryland Institute College of Art in Baltimore and the School of the Art Institute of Chicago. Guggenheim Museum Bilbao, Bilbao, Spain [February 9 - June 30, 2007] (Light Pink), In the Darkest Hour There May Be Light: Works from the Damien Hirst Murderme Collection. Parmi ses œuvres les plus célèbres … Exh. We are gripped by consuming wonder, as if staring up at the heavens, and yet the sculpture’s enormous proximity renders this both an awe-inspiring and psychologically thrilling experience. After high school, he headed south to Maryland, where he attended the Maryland Institute College of Art in Baltimore. Absorbed in the epic sensory proportions of Moon (Yellow)’s pristine curvilinear contours, Koons captivates and reinstates our childhood imagination. Cat., London, Serpentine Gallery, Op. Milan, 2006, p. 67, illustrated in color (Silver). Biography of Jeff Koons (excerpt) Jeffrey Koons (/kuːnz/; born January 21, 1955) is an American artist known for working with popular culture subjects and his reproductions of banal objects, such as balloon animals produced in stainless steel with mirror-finish surfaces.
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