https://www.wikiart.org/en/robert-morris/scatter-piece-1968 When Michael Fried, in his essay ‘Art and Objecthood’ (1967), disparaged Minimal Art’s promiscuous ‘theatricality’ and its erosion of Modernist autonomy, he cannot have known the extent to which the recontextualization and re-creation of contemporary art objects would make that erosion the rule rather than the exception. That aura was heightened by a gallery which implicitly asks Morris’s art to function as a precursor of the work of younger artists who have exhibited here, whose art is pitched as a subversion of what Fried described as Minimal Art’s ‘risk [...] of seeing works of art as nothing more than objects’. 2010. Robert Morris Untitled (Scatter Piece), 1968 – 69 18 EAST 77 February 26 – May 15, 2010 Sign up for email updates on the latest frieze talks, fairs and events. Robert Morris Scatter Piece, 1968, 1968 Felt, copper, steel, lead zinc, brass aluminium Sprüth Magers Enquire. Whether exhibited, stored, or thrown into some distant landfill, they became an expression of how transient objects are and how resilient an idea can be. Au centre d’une exposition d’ampleur, organisée jusqu’au 1er novembre au musée d’Art moderne et contemporain de Saint-Étienne, l’artiste américain Robert Morris (1931-2018) a exploré dans ses œuvres les limites mêmes de l’art en les confrontant sans cesse au corps du spectateur. Object information is a work in progress and may be updated as new research findings emerge. Lead and Felt was one of four works (including Scatter Piece) originally created for an exhibition held simultaneously at Castelli Gallery and Castelli Warehouse, New York, in 1969. Floor Piece (Bench) (1964) is a 7.5-metre-long plywood block with one of its long upper edges bevelled to a curve, and sealed in the same yellowish mid-grey emulsion that coated all the 1960s works in the show. Untitled (Scatter Piece) - Robert Morris - MAMC Saint-Etienne (S. Loeb / France Télévisions) Cette expo n'a jamais la même apparence selon l'endroit où on l'installe". Robert Morris, Untitled (Scatter Piece), 1968-1969/2009, feutre de laine pressé, acier, acier galvanisé, acier cuivré, plomb, aluminium, laiton. View our hours. 100 elements are made from six metals (zinc, copper, brass, steel, aluminum and … 2015 - Retrouvez les œuvres d’art en vente et toutes les informations sur Robert Morris (américain, 1931-2018). Rather, he predated their critiques, conflating phenomenological materialism with the Freudian unconscious. Untitled (Scatter Piece) (1968-2009) de Robert Morris, présentée dans l’exposition « Robert Morris. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. De l’opacité à la transparence, l’art minimal de Robert Morris s’installe à Saint-Etienne. 100 elements are made from six metals (zinc, copper, brass, steel, aluminum and lead) of different shapes and dimensions. Robert Morris was a preeminent American Conceptual artist regarded as one of the early proponents of Minimalism. haute living. Last year, for example, Sterling Ruby showed plywood benches graffitied with spraypaint – a dressing of Morris’s neutral forms in the tattooed skin of pop culture and an attempt to evoke what Bruce Hainley has called ‘the private life of Minimalism’. These re-fabrications are not seen as editions or as copies of an original, but as equal manifestations of a sculptural concept. Robert Morris Untitled (Scatter Piece) 1968-1969/2009 collection Art Institute of Chicago Adagp Paris 2020 . By the late 1960s Morris was being featured in museum shows in America but his work and writings drew criticism from Clement Greenberg. See available prints and multiples, sculpture, and works on paper for sale and learn about the artist. Sprüth Magers Enquire. Découvrez vos propres épingles sur Pinterest et enregistrez-les. 23 mars 2014 - Cette épingle a été découverte par leif Everson. Robert Morris: Untitled (Scatter Piece), 1968-69, felt, steel, lead, zinc, copper, aluminum, brass, dimensions variable; at Leo Castelli Gallery, New York In the current exhibition, Morris has heaped the felt pieces in the room’s corners and distributed the clean, beautifully crafted metal parts over the polished dark wood floor. Robert Morris has re-created one of the key works of Post-Minimalism, Untitled (Scatter Piece), 1968-69, at Leo Castelli Gallery on 77th Street. Untitled (Ring with Light) (1965/6), like a mammoth grey Polo mint that has been surgically bisected, reveals an inner light that might be directing a beam of the finest critical irony in the direction of Fried’s yearning for Modernism’s air of harbouring secrets it couldn’t bring itself to impart. Why Are Activists Kicking Up a Storm Against Berlin’s Humboldt Forum? This was always the trajectory of Morris’s method: to intimate the unfathomable nature of interpretation required by even the most rudimentary of forms, and ask the viewer to plumb its depths. Visuels : Vue de l’exposition « Robert Morris. 2015 - Retrouvez les œuvres d’art en vente et toutes les informations sur Robert Morris (américain, 1931-2018). 4 jours de montage capturés dans un time-lapse d’une minute. Morning Star Evening Star presents a new body of work by the American artist Robert Morris whose groundbreaking oeuvre ranges from minimalist sculpture to conceptual art and performance. ⏱ Le montage d’"Untitled (Scatter Piece)" en 1 minute chrono... ️ Découvrez l’installation des 200 éléments qui composent l’une des œuvres majeures de l’exposition "Robert Morris : The Perceiving Body / Le corps perceptif". 10 3/4 x 8 inches. Published by Castelli in 2010; Published by Castelli and Sprüth Magers in 2012. Pour en savoir plus, visitez le site du MAMC+.
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