It’s certainly a lot quicker than editing each and every track’s timing!
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I meant using PROJECT vs PRO version. I found that on some material it always gave me too few or too many markers, regardless of how I set the transient sensitivity. There’s no doubt these are the most efficient means of aligning vocals, but you lucky Reaper users already have access to the next best thing: Reaper’s Stretch Markers allow you to achieve similar results in semi-automatic fashion, and while they require what’s not quite such an automatic and slick an approach as Revoice Pro, they can make your vocal edits a whole lot more efficient.
Add markers around the first few syllables of the first part, then do the same for the second part, just so you have something to test this process on. The undisputed industry standard for aligning audio, VocALign is the go-to solution for tightening vocal performances. Allows you to adjust the timing of the aligned signal. (You can find the Windows equivalent shortcut by opening the Preferences and looking at the Mouse Modifiers). This allows signals that have a little variation in energy but vary in pitch to be aligned. VocALign Project is the industry standard time alignment algorithm. The two markers are now linked: as long as both tracks are selected, drag one marker and the corresponding one will move too. Stand Alone - unlimited tracks and sessions. While there’s still more work involved than with Revoice Pro or VocAlign (either of which I recommend investigating if you do this sort of work regularly), the whole process is much less daunting in practice than a lengthy description like this might lead you to believe!
The results won’t be perfect, but many of the markers you need will have been identified and placed at or near where you need them. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Put each part on its own track. How do I use the match EQ facility in FabFilter Pro-Q when working in Reaper? Don’t use an actual duplicate part, though, as we need some timing discrepancies to correct!
Revoice Pro can transfer the Pitch, Vibrato, Inflection and Loudness of one performance onto another performance. Reaper’s Stretch Markers feature intelligent linking, which can ease the burden of manual vocal alignment. For what it’s worth, I find it saves me more time if I generate more markers than I need, rather than too few, as I can easily tidy things up as I go through the clips to perform the alignment. Reaper’s Dynamic Split facility can generate most of your Stretch Markers automatically.
No problem, get a 3-month rental of either VocALign Pro or Revoice Pro and once you buy four 3-month rentals of the same product you'll receive a permanent license*. You’ll probably want to give that one a shortcut — I used Ctrl+Option+Backspace, which was previously unassigned. For some material, the Dynamic Split works really well — on a doubled male rap part, it pretty much identified each and every syllable — but for others, particularly where there are swells in volume during a word (often the case in both lead and backing vocals! Still, it’s easy to see when you’ve done that, because when you drag a Stretch Marker, you’ll see a line appear on the segment of audio that’s being stretched/compressed. To show you what I mean, I’ve created a video to accompany this tutorial.
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