He achieved this with a combination of the 1963 P-Bass with a sunburst finish, custom wound pickups, flatwound La Bella strings, and by keeping the volume turned all the way up and the tone all the way down. The body features faded fiesta red paint over desert sand paint, based on Palladino's 1961 Precision Bass, while the neck shape and round-lam rosewood fretboard are based on … In March and April 2006, Palladino toured with Jeff Beck and played with J. J. Cale, and Eric Clapton on their 2006 album The Road to Escondido. With all those different artists, he built his signature sound with fluid fretless basslines, an ever-irreproachable musicality and precision with the big octave sound he got from his Music Man StingRay. Rig Rundown: Deep Sea Diver's Jessica Dobson, 1. Amazing bass. The neck is slim and fast and is 43mm at the nut; the bass weights exactly 8lb on digital scales, so is nice and light.

We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. In 2009, he formed a trio with keyboardist Philippe Saisse and Simon Phillips. 8. This style can be heard particularly in the album’s title track, with bass lines similar to Ex. He plays an especially virtuosic palm-muting line in another track on the record, “Overload,” which inspired Ex. Palladino often uses this combination onstage with The Who as well as with the John Mayer Trio.

The music of the time still required the thumpy, dark sound of a miked upright bass, and a foam mute masked the brighter, more legato inclinations of its electric cousin. 1 and Ex. [10] Palladino appeared on Mayer's third album Continuum, fourth album Battle Studies and seventh album The Search for Everything. 2019 Sinematic Robbie Robertson Bass Weeks was unable to make the performance, and Jordan suggested Palladino, who had heard some of Mayer's work and was willing to come. Finally, in 2005, he joined Steve Jordan on drums and formed the luxury rhythm section of the John Mayer Trio, a group that finally allowed Palladino to stand out in the eyes of the public for his elegant and effective artistry. Palladino played an all-white Moon bass during the Voodoo tour with D’Angelo in March-October 2002, playing tuned down to DGCF as he did on the album. Synthetic Bone Nut Fender American Vintage 64 Jazz Bass Sunburst - SOLD! Palladino used this as an integral part of his setup during the 1980’s in combination with his fretless bass playing. He used his 1963 Sunburst Fender Precision on Voodoo, using heavy gauge LaBella strings (tuned down to DGCF), a foam mute, and an Ampeg B-15 amplifier. R&B, hip-hop, and rap music were particularly bombastic and monochromatic at the time, leaving an open lane for the Voodoo crew to take a sharp-left turn from the genre. He received offers to record with Joan Armatrading, Go West, and David Gilmour.

The son of a Welsh mother and Italian father (from Campobasso),[2] Giuseppe Henry Palladino[3] was born in Cardiff on 17 October 1957. Voodoo is the second studio album by American neo soul singer, songwriter, and multi-instrumentalist D'Angelo.It was released on January 25, 2000, by Virgin Records.. D'Angelo recorded the album during 1998 and 1999 at Electric Lady Studios in New York City, with an extensive line-up of musicians associated with the Soulquarians musical collective. As funk and dance music popularized popping and slapping, bassists in the late ’60s and ’70s began removing the foam from their Fenders. In 2012, he toured with The Who on their Quadrophenia revival. 3 is inspired by this classic duo.

I prefer it to my vintage 1962 Precision. Ex. Bass Equipment Fender Gear Rundown Guitars Kim Deal Steinberger StingRay the Breeders the Pixies Columns. Pino becomes the song’s metronome, setting a solid foundation, with plenty of fills thrown in at the most tasteful moments. His style during this period encompassed a lot of lead melodic playing utilising the instrument's top register, rather than simply holding down the low end. Tour of 2016 for extra punch not afforded by his usual flatwound strings.

In 2006, he joined the remaining band members on their first album in twenty-four years, Endless Wire. Rig Rundown Best-Ofs: Blues-Rock Pedalboards, 4.
His equipment at that time included a fretless 1979 Music Man StingRay Bass and Boss octave pedal (OC-2). But the original soul and R&B recordings featured that deep, deadened sound, so Pino strived to recreate it for the neo-soul genre. Through a collaboration between D’Angelo and his band to invent their soft, sensual, behind-the-beat feel, neo-soul was born. Palladino was bestowed this signature model by the Fender Custom Shop.

4 and Ex. King album in the late ’90s. Built from figured Javanese Trembesi timber and boasting a premium Fishman PK3 preamp, the Faith Guitars... Palladino first made his name with this instrument in the 1980’s, playing on Gary Numan’s I, Assassin in 1982 and Don Henley’s Building The Perfect Beast in 1984. LEGAL NOTICE      Design : AGENCE K2. Jordan credits Palladino's apparent ability to "feel" changes in music, through melodies, basslines, and an embrace of genres of nearly every kind. Palladino is a big fan of the work of Phil Jones and uses his amps frequently for both recording and touring. His bass lines were shockingly simple, yet maintained a complete command of the groove, epitomizing a musician’s version of speaking less while saying more. Fender P Bass, CS '62 Pickups, Pino Palladino Look a like. Having previously played with Pete Townshend and Roger Daltrey, Palladino was an obvious choice to fill the big shoes left after the sudden passing of The Who bassist John Entwistle in 2002. Paladino's bass of choice is a '62 Precision. He also played regularly with Jeff Beck, and even replaced the late John Entwistle in The Who from 2002. The Who's bassist John Entwistle died the night before the start of their first tour in two years. Most bassists have this one fact in common: Their lifelong dream gig has been held, at one point or another, by Pino Palladino. Fender's Custom Shop has replicated the exact specifications of Paladino's instrument and given it a Relic Treatment to precisely match the well-played look of the instrument that Pino has used throughout his career as a leading session bassist and member of top-name bands. Master Volume, Master Tone Controls He attended a Catholic school. 7. But this Jazz Bass also represents a piece of history, since its former owner is none other than Pino Palladino, the most prolifically recorded bassist of the ‘80s. You can also find this song on the trio’s live album Try!, but Pino’s juicy palm-muting licks come through more clearly on the studio version from Continuum. As already mentioned, Palladino's use of flatwound strings has been a major component of his sound and Thomastik-Infeld are his preferred choice. He landed session and touring gigs with the likes of Eric Clapton, Melissa Etheridge, David Gilmour, B.B. With the meaty, right edge of his palm resting on the strings about an inch from the bridge, he adapted the classical-guitar technique of plucking with one finger per string. Privacy Policy | Pino began music on classical guitar and didn’t pick up bass until age 17, but his rapid mastery of the instrument and unique concepts of time and groove quickly earned him spots with some of the biggest names in the world. [11], In 2013, he played on the Nine Inch Nails album Hesitation Marks and was a member of the touring band. On the basis of its year of manufacture alone, this superb Jazz Bass would be a prized specimen for any collector—1961 being the debut year of the model that would become the other great benchmark electric bass. It can be heard on Paul Simon’s 2006 album Surprise.

Pino proves he is the absolute master of soul on John Legend’s most recent album, Darkness and Light.

The pickups are Nordstrand with an NP4 (precision) at the neck and a Dual Coil p'up at the bridge.

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