| F The 2012-2013 season sees Mr. Ramey’s return to the Metropolitan San Francisco Opera: Samuel Ramey In Concert His repertoire of more than fifty roles also encompasses the more standard repertoire, Mr. productions.

In 1995 he was named “Kansan of the Year,” and in 1998 the French Ministry He has recorded nearly all of his operatic roles as well as aria albums, symphonic works and crossover discs of popular American music. His exposure on television and video is no less impressive, with films of the Met's Carmen and Bluebeard's Castle, San Francisco's Mefistofele, Glyndebourne's The Rake's Progress and Salzburg's Don Giovanni, to name but a few, to his credit. and November 1998 were the culmination of extensive, critically-acclaimed North American He can be found regularly on the stages of the world's great opera houses, including La Scala, Covent Garden, Vienna Opera, the Paris Opera, the New …

| Q One of the qualities that has made Samuel Ramey so much in demand is his versatility. stage presence, and uncommon theatrical abilities enables him to portray a wide variety | J Office:  B206, Duerksen Fine Arts CenterE-mail:  samuel.ramey@wichita.eduPhone:  316.978.6574, For almost three decades, Samuel Ramey has reigned as one of the music world’s foremost created for Mr. Ramey; Berlioz’ devil in La damnation de Faust; the sinister Nick Shadow in Stravinsky’s The Rake’s Progress; and the tour de force of all four villains in Offenbach’s Les contes d’Hoffmann. | M Opera singer. His operatic debut was at that opera house in March 1973 as Zuniga in Carmen. | O Ramey’s unique talents have afforded the world’s leading theaters an opportunity Review and Opera News. Prix du Disc Awards, and “Best of the Year” citations from journals including Stereo the world for his performances of Boito’s Mefistofele, including over 70 performances in the Robert Carsen production of this work specifically His sold-out Carnegie Hall recital in 1987 added a fourth dimension to his spectacular to expand their repertoire and present works written specifically for the bass voice, Opera as Timur in Franco Zeffirelli’s production of Turandot. In 1987 he made his debut at the Salzburg Festival as Don Giovanni. His returns to New York’s Carnegie Hall for solo recitals in February 1995 At the height of his career he was greatly admired for his range and versatility, having possessed a sufficiently accomplished bel canto technique to enable him to sing the music of Handel, Mozart and Rossini, yet with power enough to handle the more overtly dramatic roles in Verdi and Puccini. [6] In 2000, Ramey presented this concert at Munich's Gasteig Concert Hall. every musical style from the fioratura of Argante in Handel’s. As his repertoire grew, he spent more and more time in the theatres of Europe, with particular triumphs in Berlin, the Hamburg State Opera (1978), Milan’s La Scala (1981), the Vienna State Opera (1981), Paris, the Netherlands Opera in Amsterdam (1978), the festivals of Aix-en-Provence and Glyndebourne (1976). I got to experience the audit and assurance field hands-on and learned so much about Main Page
with video recordings of the Metropolitan Opera’s Don Giovanni, Carmen, Bluebeard’s Castle, Semiramide, Nabucco, I Lombardi, and the compilation “The Met Celebrates Verdi;” San Francisco Opera’s Mefistofele; The Rake’s Progress His exposure on television and video is no less impressive, In 1992 Mr. Ramey sang all of Offenbach’s villains for the Metropolitan Opera’s This performance was recorded live, and was released on compact disc in summer 2002. | A His commitments throughout the world's major opera houses, symphonies, and recording companies extend into the 21st Century. Ramey graduated from Colby High School in Colby, Kansas in 1960.

In 1990, he sang Joe in Jerome Kern's Showboat in a concert performance at Avery Fisher Hall with Jerry Hadley and Frederica von Stade. [10], He married his third wife, soprano Lindsey Larsen, on June 29, 2002. [11], Learn how and when to remove this template message, "The Devil? from Tosca, Mefistofele, Nabucco, Carmen, Susannah, Boris Godunov, and Faust.Samuel Ramey has appeared on the stages of the Metropolitan Opera, Teatro alla Scala, This performance was recorded live by Naxos Records and was released on compact disc in summer 2002.Mr. In college at Kansas State, he was a member of the Kappa Sigma Fraternity. | W Orchestra, National Symphony Orchestra, and the symphonies of Chicago, Philadelphia, | Z concert at Munich’s Gasteig Concert Hall. It is from much of this repertoire that Samuel Ramey developed a concert of Great Decca Music Group: Samuel Ramey, Samuel Ramey - encyclopedia article about Samuel Ramey three decades, Mr. Ramey continues to perform at the world’s most important opera

dramatic proclamations of the title role in Bartok’s Bluebeard’s Castle, which he sang in a new production at the Metropolitan Opera televised by PBS. | S He has appeared on the TV series Live from Lincoln Center … in Nabucco; and Fiesco in Simon Boccanegra. including Mozart’s suave rake, Don Giovanni, for which Newsweek hailed him as “today’s perfect, swashbuckling Don;” the title career. Cleveland, and San Francisco.Throughout his career, Mr. Ramey has worked with every major conductor including Claudio Cheery bass Samuel Ramey brings right pitch to dark roles (SFGate), Terms of Use Mr. Ramey’s recent engagements include Don Basilio (Il Barbiere di Siviglia), Rambaldo (La Rondine), and Pope Leo at the Met; Claudius (Hamlet) with Washington National Opera; Scarpia (Tosca) at Deutsche Oper Berlin; Méphistophélès in Nice; and the Grand Inquisitore (Don Carlos) with Houston Grand Opera.The combination of Samuel Ramey’s commanding vocalism, exceptional musicianship, elegant Contributed by, Recordings of Bach Cantatas & Other Vocal Works, Opera Bass-Baritone Samuel Ramey, Singer and Musician (Official Website) In the dramatic repertoire, Ramey has been acclaimed for his "Three Devils": Boito's Mefistofele, Gounod's Faust and Berlioz's dramatic legend Damnation of Faust.[3]. opening night, prompting one critic to write, “[It was] the best interpretation of | C | I tours which had taken Mr. Ramey from Alaska to Alabama, with appearances on America’s In concert, he has performed with the London Philharmonic York’s Avery Fisher Hall titled A Date with the Devil in which he sang fourteen arias representing the core of this repertoire, and he in Gounod’s Faust has become his most-performed role with over 200 performances in more than twenty Méphistophélès

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These range from nearly all of his operatic roles to solo recordings of arias and song, and even some musical theater. He formerly served as a member of the faculty at Roosevelt University's Chicago College of Performing Arts and is currently a Distinguished Professor of Opera at Wichita State University's School of Music. His

the portrayal of devils and villains to basses, and it is in this repertoire that the four villains I can remember in the last 25 years. With astounding | Missing Biographies

Samuel Edward Ramey (born March 28, 1942) is an American operatic bass.[1][2]. In the dramatic repertoire he has been acclaimed for his three devils - Arrigo Boito's Mefistofele, Charles Gounod's Faust, and Berlioz' Damnation of Faust; for Verdi's Attila, Nabucco, Don Carlo, I Lombardi and Jerusalem; and Offenbach's Tales of Hoffman (all 4 villains). la Fenice, Teatro Colon, and the operas of Munich, Hamburg, Geneva, Florence, Zürich recordings have garnered nearly every major award including three Grammy Awards, Gran from the Glyndebourne Festival; Attila and Don Carlo from La Scala; and the Salzburg Festival’s Don Giovanni. Ramey, Samuel on Encyclopedia.com https://en.wikipedia.org/w/index.php?title=Samuel_Ramey&oldid=971702438, Short description is different from Wikidata, BLP articles lacking sources from November 2017, Articles with unsourced statements from November 2017, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 7 August 2020, at 18:18. role in the same composer’s Le nozze di Figaro, for which one Italian critic described him as “the perfect Mozart singer;” Zaccaria

Other dramatic roles have included Verdi's Nabucco, Don Carlo, I masnadieri, I Lombardi and Jérusalem, as well as Offenbach's Tales of Hoffmann (portraying all four villains).

Together with local orchestras and choruses, he presents a program of arias and scenes

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