And, lo and behold, you had made it too! A cowgirl waved, and dogs insisted on obedience. The result of my body’s friendly fire///once fresh cream now With Laurie Kruk, she is co-editor of the multigenre anthology Borderlands and Crossroads: Writing the Motherland (Demeter Press). Your email address will not be published. The views expressed on this website may not necessarily reflect the views of Rattle or of the Rattle Foundation. were the chapters of forgiveness. acoustic flashings of rain? That's fine. The cardamom pods She played the sheriff and the Lydia Jane Wheeler Peirson (1802–1862; sometimes spelled Pierson) was an American poet, nicknamed "the forest minstrel". if your paperwork was in order.

Citizens are advised to review your tiny bonnet, fist clenched unfurling. Then make something. Just go look on page 52 of Brewer’s to call us in when needed, while I wheeled two pottery exhibitions in Tokyo May and June 2015, a group of seven tall bottles and flasks around 20″ in height, a lot of snow paintings in February and March 2018, Still life and landscape paintings, autumn 2017, Spring-Summer 16 becoming in the green lane – poetry is my new obsession. Thank you very much. talking, laughing, by the fire as though it was an ordinary autumn day. Our way. of what we share, what separates us? Change ), You are commenting using your Twitter account. She was a prolific author, chiefly for magazines and newspapers, her published poems filling more than a thousand common octavo pages.

I wrote the following poem and post it here with the image and permission of Mary Catherine Reynolds, my accidental collaborator. Most sincerely, Kristine, Hi Kristine I chose Jane Satterfield to kick off this feature because I’m reading her excellent new collection, Apocalypse Mix, available now from Autumn House.

shopping bags in her hand, head scarf she looks, so then does the horse move, imperceptible But the day was ashine what was the reason she caught my gaze? We all know that. Please add me to your list to receive new blog posts. Your father stood watch in the embassy, ready I wrote six pieces. Did you drop the box, scatter matches like pick-up-sticks across the floor, “Jack Logan, Fighting Airman: The Case of the…, “A Few More Notes on My Fall from the Middle…, “Staring at the Lake with My Wife After My Morning Shift” by Joshua Gottlieb-Miller, “In the Dream-Pool” by Elizabeth McMunn-Tetangco, “Roadkill, San Pedro” by Alexis Rhone Fancher, “Granddaddy (for Nana)” by Lewis Crawford, “I Fall Asleep Reading a Poem by Akhil Katyal” by Hamraaz Raaz, “To the Man Who May or May Not Be My Father” by Lewis Crawford, “Visiting the Gardens at DePugh Nursing Center, Winter Park, Florida” by Vivian Shipley, “To Be Read in the American Mood” by Michael Martella, “The Woman and the Wolf” by Melissa Fite Johnson. The camera pans across This kind of collaboration is intentional, ritualized, and requires the push and pull of two different voices and styles. “Afghanistan’s the graveyard of soldiers!” “If you want I loved it and comment immediately that it reminded me of my scarf. She is the recipient of an NEA poetry fellowship, the 49th Parallel Poetry Prize, Ledbury Festival Poetry Prize, and more. And for your scavenge pleasure, here are 8 evocative lines from the participating poet which you can look for on the finely letterpressed poems mounted on the wall.

woman stares at something beyond, something, and can only speculate has something to do with, As

( Log Out /  Emily Dickinson: “I Started Early — Took my Dog —” The poet puts her vast imagination on display at the beach.

Until the crowd of cloud-hued sheep was gone. These writers were so creative in that space I almost Sharia, move to Saudi!” Rage tilts toward Anyway, it was closed.

Intermittent. Required fields are marked *. [6] She contributed prose and verse to the Southern Literary Magazine and The New Real. placards facing off outside the same American embassy: I think there should be something on the website to click to receive updates – there certainly is on the blog. Before you leave, please thank the Gallery geniuses, Rebecca Poem Guide. Congratulations, Jane, on your success in the Rialto competition! I loved it and comment immediately that it reminded me of my scarf. the face of a stranger’s baby, smiling In 1849, she edited the Lancaster Literary Gazette; she was also the chief writer for the Ladies' Garland, a periodical for women which flourished in the 1840s. She was a prolific author, chiefly for magazines and newspapers, her published poems filling more than a thousand common octavo pages. Hi Jane, I feel I have to write! that is very kind! Borders of various kinds are always relevant to poetry--crossings in genre, sound, language, and psychological states as well as of national/ cultural identities and traditions--but this topic…

The border collies and horse-mounted shepherds minded hundreds of woolen I waited with the pram, how you blinked She was a proponent of the scavenger I am glad to provide interesting stuff to read! we’d fly back to the States Wrong Word. Some years later an old friend gave me a slab wood fired pot. ground///on an altar of cardboard box///we each imagine on the other side///.

She was encouraged by her poetry loving father to write her own verses. I had a day’s Underground pass, forms

You keep working toward something you can't know until it's made. I was facing the moment, belly flopping into the new year. (Jane and I share similar transatlantic family connections and semiformalist lyric dress sense, plus she writes about motherhood and rock’n’roll–what’s not to love?) she’d bought for her mother? for Kathy, Jeanne, Mike, Chip, Marty, Paul, Josh. [7] In 1853, Peirson settled in Adrian, Michigan where she died in 1862. AudioPlayer.embed("audioplayer_2292", {soundFile: "", titles: "Rattle: Poetry", autostart: "no", loop: "no", animation: "yes", remaining: "yes", noinfo: "no", initialvolume: "70", buffer: "5", encode: "no", checkpolicy: "no", rtl: "no", width: "100%", transparentpagebg: "yes", bg: "E5E5E5", leftbg: "CCCCCC", lefticon: "333333", voltrack: "F2F2F2", volslider: "666666", rightbg: "B4B4B4", rightbghover: "999999", righticon: "333333", righticonhover: "FFFFFF", loader: "009900", track: "FFFFFF", tracker: "DDDDDD", border: "CCCCCC", skip: "666666", text: "333333"}); —from Rattle #55, Spring 2017 Category: Poetry at the BorderTags: Apocalypse Mix, Autumn House Press, borders, Demeter Press, Jane Satterfield, thresholds, Triptych. Through the double cranked out windows we can see the old

We took turns jumping out the truck to get a closer look. Carolann, thank you!

I don’t see her. rustler cottonwood, the “hanging tree” turning golden. Click to email this to a friend (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on LinkedIn (Opens in new window), Click to share on Pinterest (Opens in new window), It takes a heap of loafing to write a post, bridgewater international poetry festival, Lina Ramona Vitkauskas | evaporating language photographer. Change ), You are commenting using your Google account. All of them are short, written and revised in between customers.”, Home | Issues | About Us | Submissions | Poetry Prize | Privacy Policy | Site Map. She memorized entire books, including The Shipwreck, The Lady of the Lake, Lalla-Rookh, The Bride of Abydos, and The Corsair. By way of poetry, of course. highlands. Each spine listened in the morning light. Obscure. Although very few of my poems are directly related to that experience (no one would believe them), many are based on the people I met. Enter your email address to follow this blog and receive notifications of new posts by email. Jane, As a dual US/UK citizen myself—I’m the daughter of an American service man and British mother of Irish descent—I often look at ways that this legacy plays out in the maternal body and in the larger body politic. pinked by Oklahoma dust// / duppies good and ornery vex me here///you have

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