Reconnecting with the girl she still wishes were her friend, Sophia whispers secrets to her about what happens in this building when the lights go down. I understand this sub is for memes and taking the mick out of young girls who think they’re different, but the film also has themes of obedience, mimicry and majority, and it might be a nice change to see these words and the film, if you’re interested!

Privacy | | Cookie Settings. A horrifying film with some incredible messages and reminders for women in our society.

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It keeps the viewer guessing, albeit sometimes a little too much, and presents a dreary world where societal shortcomings have allowed the powerful to enact their wishes upon the virtually powerless—in that vague way, not too unlike some of the world today.

Executive producer: James Weyman However, while the film takes care to infuse meaning into its drama, it does lack in some subtlety. When Vivien reaches Level 16—the level supposedly preceding her adoption into a loving family—she reunites with her old friend Sophia (Celina Martin), who raises Vivien’s suspicions that the Academy may not be quite what it seems.

Worried about Vivien's growing independence but too fond of her to throw her immediately to the wolves, Dr. Miro counsels her, "When a girl is obedient and sweet, the world cannot help but love her." Casting director: Jonathan Oliveira.

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The two begin trying to escape. This sub is about people trying to be unique by defining themselves outside of "the norm". Then this is the place for you.

Initial hints of a Mean Girls-meets-Lord of the Flies complication don't come to much in this straightforward pic, which will be zeitgeisty enough for some viewers while leaving most wanting something a bit more imaginative. Your email address will not be published. The movie was obviously a labor of love for her, as she both wrote and directed it. I’d suggest giving it a Google for a better overview, I wouldn’t want to spoil anything! Nixer: The first scene after the title sequence in Mission Impossible: Fallout has Alec... Sean Hicks: What I am impressed about is his immense talent not only technically as a musici... Drew Matich: Then and now my favorite Toto album. Five Years Later: The Best Films of 2013!! Do you think you're the only unique person on the planet? From the Vaults of Streaming Hell: Alexandria…Why? Production designer: Diana Magnus

They're taught above all to be "clean girls" who adhere to virtues like obedience and sweetness while avoiding all vice.

One reading suggests that this irony has something valuable to say about the pointlessness of female fetishization; an alternative suggests that the pointlessness is just that, pointless, and that the enforcement of the feminine virtues is just another way to add to the girls’ suffering. Do you think everyone else is trash? Like am I going to be seeing gore or demons or is it more of psychological thriller?

Clearly the virtues of obedience and feminine passivity, at least in their most strictly enforced form, don’t apply so much to the world outside the Academy. Level 16 comes from the creative mind of Danisha Esterhazy (The Banana Splits – upcoming). Curiosity is the first.

Laura Dzubay is a writer specializing in short fiction, long fiction and articles about all the music and movies she loves. Both seem plausible. 7:29 AM PST 2/27/2019 by THR Staff FACEBOOK; TWITTER; EMAIL ME; Courtesy of Dark Sky Films . Level 16 delivers drawn-out scenes of amped-up tension, and it benefits hugely from the acting abilities of its two young leads, Douglas and Martin. Level 16 appears to be an empty mental institute from the early 2000s. She is mostly from Indiana and enjoys and pretending it's fall year-round.

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Close. The Hollywood Reporter is part of MRC Media and Info, a division of MRC. FACEBOOK Is there a point to this idea of pushing femininity to the extreme, if it’s ultimately only used to the end of harvesting the girls’ faces?

Distributor: Dark Sky Films by 34.

A jailbreak pic with a broad-strokes feminist angle. One of the film’s weak spots is that it doesn’t account for quite enough of either explanation—to say nothing of the explanations for how the world came to be this way, what exactly could possibly be motivating Miss Brixil to sell young girls’ faces, and any number of other technical questions. Katie Douglas stars as Vivien, one of the teenage residents of "The Vestalis Academy," a windowless all-girl boarding school whose oppressive blue-grayness soon becomes a challenge for the film. The exact extent of their application or lack thereof is left unclear, along with what the audience is to make of this social commentary, concentrated even within its own realm. THR Staff A horrifying film with some incredible messages and reminders for women in our society. This doesn’t really fit into this sub at all. A line from the film Level 16. The result is a chilling journey through a grey world of social tension, which achieves its at times overstated goal of thriller-inflicted social commentary through successful acting, well-conceived plot twists, and thorough attention to scene. 'Level 16': Film Review. All rights reserved. Director-screenwriter: Danishka Esterhazy I don’t know what genre it falls into, and it’s and horrifying based on how “real” it felt (to me, anyway). Anger is the second vice.

There’s Miss Brixil, who harshly admonishes the girls for rule-breaking and imposes punishments that easily qualify as torture, yet she tries to claim innocence and ignorance when the girls later confront her. Director of photography: Samy Inayeh The WiFi here is only available in break rooms and receptions, and the windows here have a chance to be window entities. A dystopian prison film with a conceit designed for Handmaid's Tale fans, Danishka Esterhazy's Level 16 imagines a "school" in which girls are raised to be perfectly obedient and pristine for the families they're told will someday adopt them. A lot of the intrigue lies in what is left unsaid and unshown: that is, what this world and the stratification of its society really look like. A line from the film Level 16. The Irish Buddhist: by Alicia Turner, Laurence Cox, Brian Bocking, To the Friend Who Did Not Save My Life: by Hervé Guibert, Damnation: Poppy’s Inferno: by Moriah Rose Pereira and Ryan Cady. TWITTER

Production company: Markham Street Films

Its drawbacks arise when would-be nuances take on over-the-top proportions, and the world starts to feel less like an apt representation of important social discussions and more like a strange foray into a landscape of suffering and not-quite-explained hate. The film is also attentive to the social norms that feed into institutionalized misogyny, like the complicity of women like the villainous Miss Brixil (Sara Canning), the Academy’s authoritarian headmistress. I’d suggest it, especially if you’re female-identifying!

Level 16 tells the story of Vivien (Katie Douglas) a 16-year-old student at the Vestalis Academy, a dystopian boarding school where girls are raised in prison-like conditions and taught to embody the “feminine virtues” of obedience, cleanliness, patience and humility.

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Posted by 5 months ago. Level 16, directed by Danishka Esterhazy, doesn’t quite reach for the worldwide scope of some of its contemporaries, choosing instead to narrow its focus to an evil boarding academy. There are the wealthy women who visit the Academy at night with their husbands, with the goal, we later learn, of choosing young girls’ faces to take on as their own. If you’re a fan of feminist dystopia with sinister undertones, you’re in luck. That's all. Turns 20, Oeuvre: David Cronenberg: Crimes of the Future, From the Vaults of Streaming Hell: Santa Jaws, From the Vaults of Streaming Hell: Stalked By My Doctor: The Return, From the Vaults of Streaming Hell: Deadcon. Do you constantly feel the need to press down others in order to define yourself?

You can find her on Twitter @lauradzu. Soph has been an outcast ever since, and has made some discoveries in her isolation.

The Academy spends all its time extolling feminine virtues and impressing its students with a loyalty to female obedience, but the film also shows us women occupying very different roles in this dystopian society.

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